
After completing Assassin’s Creed Brotherhood, I was hungry for more stealth action in 2011’s follow-up: Assassin’s Creed Revelations. It is the final playable chapter in the Ezio Collection, which I bought on my Nintendo Switch shortly after the port was released in January. Since then, I have played all three chapters telling the story of master Assassin Ezio Auditore. Each has been wonderful, and in many ways an improvement over the predecessor. Revelations is no different. I had a fantastic time in my twenty hours with the game.
It is fascinating when, like me, you go through the Assassin’s Creed collection all at once. You see how framework was laid early on for big concepts that came into fruition later on. Like how the combat system has evolved. I also notice how true to itself the story has remained. I love jumping between modern day and ancient times, doing parkour across Istanbul rooftops, and assassinating my targets with skilled execution. But, all this would be quite dull if not for the skilled storytelling by Ubisoft in these games. Over the Ezio Collection, I have grown quite fond of Ezio, and I love to see him being more personal in this game.
Ezio is in Constantinople between the years of 1511-1514 recovering lost keys to a hidden library of Crusade era master Assassin, and Assassin’s Creed 1 protagonist, Altaïr Ibn-LaʼAhad. While doing this, you raise the local assassin brotherhood to greater heights. Making interesting friends along the way. Revelations has characters that quickly make an impact, and continue to amuse. Again, seeing Ezio open up was a really satisfying way to close his tale. I was immensely happy not only with how this game carried on the story, but brought closure, or at least light to a lot of shadowy palaces that had been built by the first few games in the series.

The graphics and sound design are better than previous installments. Music swells the moment. The textures feel richer, while the world is more technically coherent. With rich color, and detail. Parkour is intuitive with some more precise moves that will have you looking to practice. The freerun platforming is fluid for the most part, especially if you are calculated about your button inputs and maneuvers. There are platforming sections that I thought were a highlight of the game. Every so often you do a mission that requires puzzle solving and smart traversal, it left an imprint because parkour has always been a fan favorite part of these games.
Combat is a delight. For a game that focuses on stealth, it really has a solid combat system. Different enemy types bring varying degrees of threat. The Janissaries are the baddest of the bad, but even they can be defeated in small numbers, with clever use of tools. And do you ever have tools! The weapons in your arsenal are all valid somehow. I felt in earlier games a lot of weapons and tools were underutilized, but here basically anything has respectable uses. Bombs spice things up, I found a loadout that worked for me, and did not experiment with them much, but many seem interesting that I never even used.
Stealth lovers will adore this game. Even when things go badly, it is often salvageable. This is one thing that makes this an exceptional quality stealth game in my opinion. I love taking my time and delicately slipping inside an enemy base to silently execute my target, but one little mistake shouldn’t rob me of the entire mission. Who is to say I didn’t want a little fight? With this fun combat, why not? Every mission has a optional objective that often involves not killing or being seen, and some missions do forbid you from doing these things explicitly. How you navigate a crowd, position yourself next to your target, traverse the rooftops and alleyways, all these things make stealth very enjoyable.

I have already reviewed Assassin’s Creed 3 on this blog, which is the next title. Desmond’s story ends there, and what a journey he has been on. He spends this entire game in a coma. Hooked up to the Animus, reliving the memories of Ezio while being monitored by Assassin pals. Ezio took a horrible shock at the end of Brotherhood, and it is something he doesn’t simply surmount in this game. It is a pain that will carry with him to his end. Desmond is so tragic, yet inspiring. Being thrown into the secret war as he was, and taking it all like a champ. He never loses sight of the goal, which is the very preservation of mankind.
I am still playing Valhalla on my Xbox Series X, and after Revelations I will begin AC4: Black Flag. A game I played upon release, and is one of my absolute favorite gaming memories. So, I’m beyond stoked to get back into it. I already own Black Flag and Rogue on Xbox, otherwise I would buy the Rebel Collection on Switch to play them both there. The eternal battle between Assassins and Templars rages on, shifting the sands of society. Ancient artifacts from a pre-human civilization contain indescribable power, and much blood is spilled over them.
The Ezio Collection played very well on my Switch. You can find it for $40 typically, but if you are a patient hunter I am sure you can find a good deal. For at least twenty solid hours per each of the three games, it is really a fair deal at full price to be honest. It can be found on most platforms. I had a stellar time with AC: Revelations. Stealth action at its finest. The upcoming Assassin’s Creed: Mirage is supposed to be an experience much like Revelations, and I for one am totally here for it. A game like this with modern technology and refinements could be next level. Mirage coming next year.
Credit: Assassin’s Creed Revelations. Screenshots by me.



















